Mark Trenwith proves that while holding the Clipsal500 on the Fringe opening weekend is a stupid idea, it has given comedians ample material and an audience that is primed to laugh. The delivery of the less PC material is potentially funny and satirical, but it needs to be sharpened to avoid appealing to his imagined Clipsal crowd.

Often feeling like a conversation with a far funnier friend, references from childhood nod to the '80s without donning a tacky Supre T-shirt. In imitations of various scary individuals, Trenwith shows considerable skill as an actor and achieves some of his best moments at points of theatrical melodrama. Mark Trenwith, as the cliché goes, is one to watch. Electric Light Hotel until March 15.